ADAD ESLN Marquez PEA \"dr. muErte\" PORTRAIT Portrait Of David Ortiz was born Zimbrn Xonacatln, Edo. Of Mexico on July 24, 1982. Realizsus studies basically of the same people Xonacatlny be specialized by Digital Media Design in Mexico City DF By grandparents influences, artisans specializing in woodworking and textiles , Adad Eslin vivisiempre concern with using their hands on craft projects in the future. Eager to enter the field of graphic design and the desire to remain connected to the work of its predecessors in the techniques of colored wood, cayaccidentalmente School of Craft, National Institute of Fine Arts. His taste for challenges and whimsical obstacles of trying to fix vtreos coatings on metallic surfaces, acabpor to fall in love with plastic and aesthetic qualities of Fire Enamel, t old technique coated iron, copper, silver, gold, glassy surfaces of great beauty that look like precious stones. In the beginning, their inspiration derivde an intimate taste of the magical world of pre-Columbian indgenas especially the Aztec culture. The most important feature is Eslin color management and the ability to recognize their subtle presence in the highlands of contemporary civilization, found in middens and dances, costumes and customs, and idiosyncrasies metaphorical music which is unfortunately outside reading for the majority of Mexicans. Motivated by the bailouts that now have made the ceremonial and artistic objects found Eslim have the desire to participate with their work, in the re encounter with this world of ours and so far away. European influence coming from the traditional techniques of Enamel Fire (cloissoné, champleve, plique-jour,), which are not specific to our cultures, led to Eslin to historical research of plastic expression, where demonstrations encontrcon alternatives such as cubism, dadasmo, surrealism, futurism, expressionism, realism fantastic, and in general, most of the isms belonging to the time of the vanguard. These influences led to a radical change in his work, which, without losing the charm of mystery, adventure in the elaboration of objects whose latest target is the mere contemplation. We could say that the strong concepcinms soaking his current work derives from that conflict began in the Arts and Crafts Movement (cf. the work of John Ruskin and William Morris), in which the merely utilitarian purchases worth more contemplative, and where unique piece defending his masificacin industrializaciny primaca on products, resulting in the Artisan Crafts of artistic or study, whose values are radically opposed utility value rescued from Eastern cultures, mainly the Japanese. As a result of movements of rupture, Eslin advantage like many artists of the avant-garde post all industrial waste materials, bolts, wire pas, alambrn for construction, copper retacera Wood, electric welding, cutting glass, and allow you to enjoy, alongside those of the process of breaking the tyrannical formal. The enamel thus appears as a detail he gives to his work on a major refinement aesthetic.